American rock'n'roll livened things up, followed by British imitators such as Lonnie Donegan and Cliff Richard. By the mid-Eighties, despite U2's rise, the British charts were sterile until acid house/ rave culture kicked the doors down for electronica, launching acts such as the Chemical Brothers. All rights reserved. The world's most comprehensive and authoritative reviews section, with the Uncut take on the latest albums, films, DVDs and more. NME.COM brings you the latest music news and reviews, along with music videos and galleries, plus band features, blogs on your favourite artists, concert tickets, competitions and more The Sacramento band’s ninth album streamlines their experimentalism and adds a hit of 90s nu-metal Shaking the Habitual The Knife. reviewed by James Skinner. The 16-track surprise release from the pop artist features contributions from Jack Antonoff, Bon Iver, William Bowery, and Aaron Dessner of the National. 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Deftones: Ohms review – fighting time and tide with undimmed ferocity 3 out of 5 stars. Reissue CDs Weekly: John Coltrane - Giant Steps. Reissue CDs Weekly: The London Pub Rock Scene, The Year The UK Turned Day-Glo, Album: Toots & the Maytals - Got to be Tough, Album: Ammar 808 - Global Control/ Invisible Invasion, Footnote: a brief history of new music in Britain. As well as their own music, their label Crass Records released records by Flux Of Pink Indians, the pre-Sugarcubes outfit Kukl and The Damned’s Captain Sensible – Crass were instrumental in him becoming a vegetarian. The British charts began in 1952, initially populated by crooners and light jazz. A second album in the same year from the Drive-By Truckers, and it’s a punchy pacey affair. When Katie Melua arrived on the scene in 2003, a graduate of the BRIT School and a protégé of Mike "Wombling" Batt, I was somewhat underwhelmed.... Emma-Lee Moss has a lovely voice. On their remarkable 1984 debut, the UK band were executors of spaciousness. The second full-length release for the British punk rock band led by Will Gould was produced by Xandy Barry. Reviews. The first album in 17 years for Phil Elverum under the name The Microphones features one track that is nearly 45 minutes long. Reviews. YouTube Music, Google's music entertainment arm, … Rock & Indie. The latest release for the post-punk Canadian collective was self-produced. All rights reserved. By the millennium, both scenes had fizzled, replaced by level-headed pop-rockers who abhorred ostentation in favour of homogenous emotionality. © 2020 CBS Interactive Inc. All rights reserved. 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The best new music to listen to, picked by the Guide 18 September 2020. © 2020 NME is a member of the media division of BandLab Technologies. In the mid-Sixties the drugs hit - LSD sent pop looking for meaning. Our team of experts reviews the best (and worst) in pop culture. Latest Reviews . At Netflix's newest haunted house, you're more likely to catch the butler getting off with the maid, Fran Healy and the gang capture the familiar feeling of wishing you’re anywhere else but here, Black British activists battle corrupt police in this real-life tale of racial injustice, ‘Saint Maud’ review: Rose Glass’s terrifying debut is the new saviour of cinema, ‘Supernova’ review: star-studded dementia drama will leave you a blubbering wreck, ‘The Forty-Year-Old Version’ review: life begins with middle age for Radha Blank’s stunning debut, ‘Kajillionaire’ review: Evan Rachel Wood joins a family of low-rent swindlers, ‘I Am Woman’ review: Helen Reddy biopic purrs, but can’t manage a roar, Working Men’s Club live in London: an unpredictable gut-punch you just don’t get from Zoom, Touché Amoré – ‘Lament’ review: melodic hardcore from a band on the brink of greatness, ‘The Haunting Of Bly Manor’ review: gothic horror ditches scares for soapy drama, Travis – ’10 Songs’ review: wistful, nostalgic indie that sums up the global mood, ‘Mangrove’ review: Steve McQueen’s game-changing courtroom drama. Brilliant pop songs – and sometimes that’s all that really matters. However, it … sex_pistolsA sea change arrived with punk and its totemic band, The Sex Pistols, a reaction to pop's blandness and much else. Album: Ozric Tentacles - Space for the Earth, Album: Loudon Wainwright III with Vince Giordano & The Nighthawks – I’d Rather Lead a Band, Reissue CDs Weekly: Peephole In My Brain - British Progressive Pop Sounds Of 1971, Album: Andy Bell - The View From Halfway Down, Album: Groove Armada - Edge of the Horizon, Reissue CDs Weekly: Helen Shapiro - Face The Music The Complete Singles 1967-1984, theartsdesk Q&A: musician Kevin Rowland - 'it was painful to be misunderstood and misinterpreted'. On ‘Back Home’, Trey Songz sticks mostly to the R&B slow-jams, Future Islands stick to a winning formula on As Long As You Are, Melanie C’s liberated new album is her best solo record to date, Album Reviews: The Jaded Hearts Club and Dagny, Adam Lambert is perfect for Queen on new live album, Album reviews: Idles – Ultra Mono, and Deftones – Ohms, Retro fleet of analogue synths runs through Sufjan Stevens’ Ascension, Yusuf/Cat Stevens’ new album makes you long for the original songs, Alicia Keys rattles between identities on her new, self-titled album, Marilyn Manson’s 11th album has everything from Satanism to angry Enya, Album reviews: Everything Everything, The Flaming Lips, and Doves, Album reviews: Declan McKenna – Zeros, and Tricky – Fall to Pieces, Bill Callahan’s Gold Record is a cosy album with a scrappy charm, Katy Perry’s new album Smile goes back to bright’n’boring basics, Album reviews: Dua Lipa and Kelly Lee Owens, Bright Eyes' new album is another classic to brood to, 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